Conservation
& Restoration
Additional
Services
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Services
We offer comprehensive art preservation and conservation services for individuals, private clients, antique and art dealers, fine art galleries, picture framers, museums, historical societies, libraries, fire and flood recovery services, and serious art collectors. Many of our best clients retain us to treat a single painting or artwork that has personal and irreplaceable sentimental value and has been handed down through the family.
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We specialize in the conservation of 19th and early 20th century oil paintings on canvas and on period piece, gilded frames. Occasionally, we are called upon to work on unusual polychrome (painted) objects. Our conservation staff is available for consultation and creating
condition surveys and treatment proposals to assess the needs of your personal or institutional collection.
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Paintings conservation usually entails:
removal of surface dirt and grime that discolor the painting
removal of discolored varnish layers that obscure the painting
repair of tears, holes, surface irregularities, and areas of loss
lining and strip-lining of deteriorated canvases to suitable fabrics
 mounting of deteriorated canvases to stable supports
consolidation of fragile elements or materials
 treating surface deformations such as cupping, tenting, flaking, and powdering
stretching old canvases to existing supports or conservation quality stretcher bars
varnishing to create the proper optical properties of a finished painting
mitigating visual defects in the painting
inpainting (retouching) of losses requiring accurate color matching and texturing
 repairing previous restorations that are inappropriate or disfiguring
 observing the "principle of minimalism" in treatment strategies
 observing the "principle of reversibility" in treatment methods
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Painting restoration (often confused with conservation) usually entails:
over painting is the deliberate application of paint to disguise severely damaged areas
treatments intended to return cultural property to a known or assumed state, often through the addition of non-original material. Conservators are ethically bound to maintain the "artist's intent" and will not alter pictorial elements to "improve" works of art.
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Frame Restoration
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We also restore antique, gilded or metal leafed frames by recasting missing ornamentation, consolidating broken elements, applying metal leafing, and creating a final patina. Frame conservation is limited to stabilizing the object without altering the surface layers or delicate patina.
Frame restoration includes compensation for severe losses, damage, or correcting previous restorations.
This 19th century English landscape was framed in an elaborately ornamented and gold leafed period piece. It had been broken into many pieces resulting in losses of
key ornamental elements. After recasting the missing components, it was gold leafed and patinated to create a
feeling of antiquity.
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Museum Quality Picture Framing
We provide museum quality framing using replicas and period piece frames. They may be small and delicate or substantial and ornamented. We also construct handmade frames from compo ornaments to suit your own design concepts. The framing materials and methods that we use meet the
highest conservation standards and aesthetics.
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Appraisals
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This painting by California Impressionist John Oshea, was framed in a 22k gold, hand carved frame to create a pleasing and decorative effect that enhances a fine landscape of this style and period.
The frame dramatically effect the presentation of the artwork but also serves as protection for the piece.
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Appraisals establish fair market values, replacement costs, insurance estimates, estate estimates, or donation values. This can only be done by appraisers who are responsible members of certified appraising institutions. (Hint: Those who have a financial interests in your artworks are not objective appraisers. As members of the American Institute for Conservation, we do not provide appraisals. We can, however, do research for you and provide auction records to assist in understanding the current market.)
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Authentication
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Authentication of an artist's can involve curators, museum scientists, conservation scientists, and conservators. We can direct our clients to professionals who provide this service.
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Archival Storage Consultation
Fine art requires an environment within a limited range of temperature and humidity fluctuations. We use archival storage boxes for long term storage with acid free interleaving, mylar encapsulation, and other storage materials. The creation of micro-environments and closed systems are available
through our professional associates.
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Research and Auction Records
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We access data bases and can often generate a list of auction records to help establish valuations for your artists or artworks. We do not appraise or authenticate fine art, but we can make referrals for you.
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Liaison with Insurance Companies
We represent your interests with insurance companies when you have a valid claim. Insurance companies can be problematic, insensitive, or non-responsive. We help make this a much
less painful experience. We can also help with attorneys.
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Condition Surveys and Documentation
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Sometimes collections require a thorough examination to document their condition prior to treatments, storage, or for various insurance requirements. We provide on site examinations which are followed up with written and photographic documentation. This is a service often requested by private collectors, museums, libraries, or historical societies.
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Photographic Documentation
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Before, during, and after treatment photos include details of key pictorial elements, areas of damage, and signatures. Photography, under different lighting conditions, is a diagnostic tool and a record of previous restorations. We provide color, black and white, slides, digital images on CDs, UV light photography, and infrared photography. X radiography is available through our professional associates.
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Laboratory Analysis
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Laboratory analysis of artist materials assist in the identification of pigments, binding materials, adhesives, and other components. Please contact us so that we may facilitate a connection with conservation scientists and laboratories.
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Art Shipping, Packing, and Handling
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We make recommendations and referrals to those who specialize in art handling and worldwide shipping.
Please take a moment to think about it .
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On Location Treatments
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We can move our "mini-lab" on location to work on oversize or fragile artworks which will not travel safely. Transporting art is often the greatest potential danger to valuable artworks and antiquities.
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Disaster Mitigation
We provide collection management in the event of natural disasters like fires, floods, earthquakes, locust swarms, and alien invasions. This is available for both public and private collections of art and archives.
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Pest Management
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Vermin of all types can ruin art collections. We can create anoxic chambers for insect infestation, micro-climates, or recommend procedures for pest control.
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Environmental Concerns
We assist clients in how to display or store art. This includes temperature, humidity, lighting, and many other factors.
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Referral Services
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As conservation specialists, we have contacts in many related areas. Surprise us with an unusual request. We may be able to help.
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Mentoring
MÖBIUS: art conservation is committed to mentoring preprogram students who wish to gain practical conservation
skills before entering a graduate program. Student interns learn many basic skills, professional ethics, an introduction
to scientific methods, and basic business principles. An internship is a short term training experience with the goal of
gaining specific knowledge, usually defined or agreed upon at the beginning of the experience. Student interns are
recruited from the University of California at Santa Cruz, nearby colleges, or through museums in the area.
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Support Services
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